Kerry James Marshall, Untitled (Painter), 2009. Collection Museum of Contemporary Art, Chicago, gift of Katherine S. Schamberg by exchange. Photography © Museum of Contemporary Art, Chicago. Photographer, Nathan Keay

Tacita Dean, Section Cinema (Homage to Marcel Broodthaers), 2002. Courtesy of Marian Goodman Gallery, New York and Paris, and Frith Street Gallery, London.

In and out of the Studio, Creativity, Chance, and the Source of Inspiration

Amanda Ross-Ho, Frauds for an inside job, 2008. Courtesy of Cherry and Martin, Los Angeles; Mitchell Innes and Nash, New York. Photo by Robert Wedemeyer

Tacita Dean, Section Cinema (Homage to Marcel Broodthaers), 2002. Courtesy of Marian Goodman Gallery, New York and Paris, and Frith Street Gallery, London.

Tacita Dean, Section Cinema (Homage to Marcel Broodthaers), 2002. Courtesy of Marian Goodman Gallery, New York and Paris, and Frith Street Gallery, London.

Amanda Ross-Ho, Frauds for an inside job (detail), 2008. Courtesy of Cherry and Martin, Los Angeles; Mitchell Innes and Nash, New York. Photo by Robert Wedemeyer

Peter Fischli and David Weiss, Untitled, 2005, installation view at the Carnegie Museum of Art, Pittsburgh, 2008-2009. Private foundation, Oslo, c/o Peder Lund Courtesy of Galerie Eva Presenhuber, Zurich.

View of William Kentridge's Studio. Photo by John Hodgkiss.

View of William Kentridge's Studio. Photo by John Hodgkiss.

Ryan Gander, Felix provides a stage – (Eleven sketches for 'A sheet of paper on which I was about to draw, as it slipped from my table and fell to the floor'), 2008. Ryan Gander, courtesy of Tanya Bonakdar Gallery, New York.

Peter Fischli and David Weiss, Untitled, 2005, installation view at the Carnegie Museum of Art, Pittsburgh, 2008-2009. Private foundation, Oslo, c/o Peder Lund Courtesy of Galerie Eva Presenhuber, Zurich.

Andrea Zittel. Studio at A-Z West. Courtesy the artist and Andrea Rosen Gallery, New York. © Andrea Zittel.

Andrea Zittel. Studio at A-Z West. Courtesy the artist and Andrea Rosen Gallery, New York. © Andrea Zittel.

Andrea Zittel. Studio at A-Z West. Courtesy the artist and Andrea Rosen Gallery, New York. © Andrea Zittel.

 

Museum of Contemporary Art
220 East Chicago Avenue
312-280-2660
Chicago

Production Site:
The Artist’s Studio Inside-Out
February 6-May 30, 2010

Production Site presents work that documents, depicts, reconstructs, or otherwise invokes that space, it reveals how the studio provides for the intersection of research, experimentation, production, and social activity, and how our romantic notions of the artist’s studio both celebrate and constrict its role in contemporary art-making,” says Pritzker Director Madeleine Grynsztejn. The studio is used as a focus point to explore the nature of creativity; aspects of chance; and how artists have used it as a source of inspiration for their work.

Production Site: The Artist’s Studio Inside-Out presents an illuminating look at how some of the most compelling artists of today have demystified, re-mystified, and reconsidered art production spaces, including large installations, films, multi-channel video projections, photographic light-boxes, and life-sized fabrications of artists’ studios that explore the creative process.

MCA Curator Dominic Molon says Production Site“brings a tradition of representing the artist’s studio since the Renaissance into the present day. It provides a rare opportunity to see the studio — a space typically kept private by the artist for contemplation, conceptualization, and production — through the eyes
of the artists themselves.”

Production Site features a number of major film and video works including William Kentridge’s 7 Fragments for Georges Méliès and Day for Night (2003), a self-reflexive video work showing the artist in his studio creating the same work that appears onscreen. Bruce Nauman, who has actively incorporated his studio in his work since the late 1960s, observes the unexpected chance activities that transpire in the studio's off-hours in his video MAPPING THE STUDIO II with color shift, flip, flop & flip/flop (Fat Chance John Cage) All Action Edit (2001). Tacita Dean's Section Cinema (Homage to Marcel Broodthaers) (2002) was shot in a basement room in Düsseldorf once used as a studio by Belgian conceptual artist Marcel Broodthaers. The 13-minute film uncovers the remains and memories resonating in the cluttered abandoned space. Chicago artist Justin Cooper’s installation, Studio visit, features drawings and a single-channel video that transforms a visit to the studio into a visceral, physically intense experience through a highly mediated use of a point-of-view perspective and animalistic vocalization.

For the front lobby wall, the MCA has commissioned Chicago artist Deb Sokolow to create a new work that evolves throughout the duration of the exhibition. Sokolow, known for her humorous and intricate interior dialogue and complex maps and networks, features a floor-plan of her studio and details fictional and actual activity within the space and in the surrounding neighborhood through the use of text and drawings. Work by another Chicago artist, internationally renowned Kerry James Marshall, is featured in Production Site. His photograph, The Black Artist (Studio View) (2002), extends the tradition of the artist depicting him- or herself in the studio space. In this work, Marshall is seen reflecting on the major painting, 7am Sunday Morning (2003) — which is also in the exhibition — for its depiction of the urban Chicago neighborhood where his studio is located. His most recent work, Untitled (Painted) (2009), addresses the historical lack of representations of African Americans in the studio.

Internationally acclaimed artist Andrea Zittel presents works that reflect on the surroundings of her studio in Joshua Tree, California, and the daily routines that take place there. Her installation Rough Furniture: Energetic Accumulator Assortment III (2008) is a focal point in the exhibition, commenting on how the studio functions as a ‘staging site’ for the works. Peter Fischli and David Weiss’s Untitled (2005) recreates a disheveled studio made of 105 objects carved out of polyurethane. The installation, which includes objects ranging from a couch, a stool, a helmet, a broom, a hot plate, a coffee maker, and 5 pairs of boots, meditates on the studio as both a real space but also one that has been constructed in our imagination by works of art, film, fiction, and other representations.

Chicago born, now Los Angeles-based Amanda Ross-Ho's Frauds for an inside job (2008) presents studio walls excised from her former work that became both pictorial and sculptural art objects. Ryan Gander’s installation features three parts from the eleven-part Felix provides a stage (2008) that presents large-scale photographs of the artists’ assistant positioning paper in the studio in preparation for the creation of A sheet of paper on which I was about to draw, as it slipped from my table and fell to the floor (2008) within which the sheet of paper alluded to in the title is etched, thus reenacting a fleeting moment of beauty that the artist observed in his studio.

A performance-based work by Nikhil Chopra combines approaches associated with theater, portraiture, landscape drawing, and photography to chronicle the dynamics of the artist's studio. Additional artists in the exhibition include Rodney Graham and Chicago sculptor John Neff. Production Site is organized by MCA Curator Dominic Molon and a catalogue accompanies the exhibition.

Production Site is presented as part of Studio Chicago, a year-long collaborative project that focuses on the artist’s studio through October 2010. Through city-wide exhibitions, talks, publications, tours, and research, participating organizations celebrate the working artist and reveal their sites of creative production from historical and contemporary perspectives. With concepts ranging from the “studio as muse,” “virtual studios,” “street as studio,” and “gallery as studio,” Studio Chicago invites participation from artists and the art-curious. Core Studio Chicago partners include: the MCA, Chicago Department of Cultural Affairs, Columbia College Chicago, Depaul University Art Museum, Gallery 400, Hyde Park Art Center, the School of the Art Institute of Chicago, and threewalls.

Rodney Graham, Artist in His Studio, 2006. Courtesy Donald Young Gallery, Chicago.

Rodney Graham, Dead Flowers in my Studio, 2009. Courtesy Donald Young Gallery, Chicago.

Amanda Ross-Ho, Frauds for an inside job, 2008. Courtesy of Cherry and Martin, Los Angeles; Mitchell Innes and Nash, New York. Photo by Robert Wedemeyer.

John Neff, Presentation Figure, 2005-2006. Courtesy of the artist and Western Exhibitions, Chicago. Photo by Clare Britt.

John Neff, Wheelchair Figure, 2005-2006. Courtesy of the artist and Western Exhibitions, Chicago. Photo by Clare Britt.

Ryan Gander, A sheet of paper on which I was about to draw, as it slipped from my table and fell to the floor, 2008. Installation view Heralded as the New Black, IKON Gallery, Birmingham. Photo by Jerry Hardman-Jones. Coutesy of the artist and Tanya Bonakdar Gallery, New York.

Peter Fischli and David Weiss, Untitled, 2005, installation view at the Carnegie Museum of Art, Pittsburgh, 2008-2009. Private foundation, Oslo, c/o Peder Lund Courtesy of Galerie Eva Presenhuber, Zurich.

Kerry James Marshall , 7am Sunday Morning, 2003. Collection Museum of Contemporary Art, Chicago, Joseph and Jory Shapiro Fund by exchange. © 2003 Kerry James Marshall

 

Kerry James Marshall, Black Artist (Studio View), 2002. Collection Museum of Contemporary Art, Chicago, gift of Robert and Sylvie Fitzpatrick. © 2002 Kerry James Marshall