Michael Wolf, Transparent City # 46.
Michael Wolf, Transparent City # 85.
Michael Wolf, Transparent City # 88.
Museum of Contemporary Photography
600 South Michigan Avenue
Michael Wolf: The Transparent City
November 14, 2008-January 31, 2009
In 2005 Michael Wolf (German, b. 1956) visited Chicago for the first time to participate in a group exhibition for the Museum of Contemporary Photography. As he rode an elevated train from the airport into the city, he began to envision photographing Chicago.
For the previous decade, Wolf had been living and working in Hong Kong, attempting to capture the sheer density of people living on the two small islands that make up that city. Wolf examined the endless ranks of residential housing complexes in Hong Kong by removing the horizon line and flattening the space to a relentless abstraction of urban expansion. He noticed, however, that Chicago had an entirely different feel.
While Hong Kong is built of endless rows of structures designed and built in a nearly identical style, Chicago has more experimental, unique buildings of many different styles.
In 2007, the Museum of Contemporary Photography, in collaboration with the U.S. Equities Reality artist-in-residence program, invited Wolf to create his first body of work to address an American city.
Chicago is known for work by innovative architects such as David Adler, Daniel Burnham, Louis H. Sullivan, and Frank Lloyd Wright, and after World War II, it established itself as a world capital of modern architecture influenced by the international style of Mies van der Rohe and home to notable projects by Helmut Jahn, Philip Johnson, and more recently Frank Gehry.
While it has been common for photographers to glorify Chicago’s distinctive architecture and environmental context, Wolf depicts the city more abstractly, focusing less on individual well-known structures and more on the contradictions and conflicts between architectural styles when visually flattened together in a photograph.
His pictures look through the multiple layers of glass to reveal the social constructs of living and working in an urban environment, focusing specifically on voyeurism and the contemporary urban landscape in flux. Wolf explores the complex, sometimes blurred distinctions between private and public life in a city made transparent by his intense observation.
Michael Wolf was born in Munich, Germany. He grew up in the USA and studied at UC Berkley and at the University of Essen in Germany. He has been living and working as a photographer and author in China for ten years.
In addition to a wide spectrum of publications for international magazines, three books by him on China have been published to date: Sitting in China (published by Steidl, 2002) and China im Wandel (published by Frederking und Thaler,2001). Recently, Taschen published his documentation of the shaping of public politics and opinion making comprising his extensive collection of Chinese propaganda posters.
Wolf has been intensively concerned with the topic of vernacular culture for many years. His most recent work deals with the issue of the cultural identity of the city of Hong Kong. The exhibition Architecture of Density shown in New York in Febuary 2004 is a part of Michael Wolfs recent Hong Kong project.