Less and More – The Design Ethos of Dieter Rams, 300 Special DL 3, 1955, Manufacturer: Braun GmbH, Photo: Koichi Okuwaki.

Less and More – The Design Ethos of Dieter Rams, 606 Universal Shelving System, 1960, Manufacturer: Vitsœ, Design by Dieter Rams.

Dieter Rams, Defining the Soul of Streamlined for Four Decades


Less and More – The Design Ethos of Dieter Rams, Dieter Rams, Design Museum, Braun9, Photo Luke Hayes.


Less and More – The Design Ethos of Dieter Rams, Design Museum, Audio 300 Radio phono combination by Dieter Rams, 1969, Braun GmbH, Photo Koichi Okuwaki.

Less and More – The Design Ethos of Dieter Rams, T 1000 Portable radio by Dieter Rams, 1963, Manufacturer: Braun GmbH, Photo Koichi Okuwaki.

 

Design Museum
Shad Thames
+ 0870 909 9009
London
Less and More –
The Design Ethos of Dieter Rams

November 18, 2009-March 7, 2010

For 40 years, from 1955 until 1995, Dieter Rams designed or oversaw the design of over 500 products for the German electronics manufacturer Braun, as well as furniture for Vitsœ. Audio equipment, calculators, shavers and shelving systems are just some of the products created by Dieter Rams, each item holds a special place in the history of industrial and furniture design and has established Dieter Rams as one of the most influential designers of the late 20th century.

This exhibition is the first UK definitive retrospective of Dieter Rams’ career in over 12 years. Showcasing landmark designs for both Braun and Vitsœ, this exhibition will examine how Dieter Rams’ design ethos inspired and challenged perceptions of domestic design and assesses Dieter Rams’ lasting influence on today’s design landscape. Archive film footage, models, sketches, prototypes and images taken by international photographer Todd Eberle will be displayed alongside specially commissioned interviews with Dieter Rams’ contemporaries, which include Jonathan Ive, Jasper Morrison, Sam Hecht and Naoto Fukasawa.

Dieter Rams’ elegant products challenged original concepts of design thought by reducing electrical switches to a minimum and arranging them in an orderly manner, transparent plastics and wooden veneers were mixed and colour schemes were limited to tones of pure whites and greys, the only splash of colour being allocated to switches and dials.

Dieter Rams defined an elegant, legible, yet rigorous visual design language, identified through his ‘Ten Principles’ of good design, which, amongst others stated that good design should be innovative, aesthetic, durable and useful. Heavily influenced by the Bauhaus and Ulm School of Art in Germany, Dieter Rams pioneered a design spirit which embraced modernity and placed functionality above everything else, resulting in designs that were free of decoration, simple in function and embodied a cohesive sense of order. Born in Germany in 1932, Dieter Rams trained in architecture and interior design before joining Braun in 1955 where he took advantage of electronic and engineering advances made during the Second World War to realise a sophisticated re-interpretation of domestic appliances.

Less and More – The Design Ethos of Dieter Rams, Braun hair dryer (HLD 4), 1970; design: Dieter Rams, photo: Koichi Okuwaki.

Less and More – The Design Ethos of Dieter Rams, T 1000 Portable radio by Dieter Rams, 1963, Manufacturer: Braun GmbH, Photo Koichi Okuwaki.

 

Dieter Rams/DesignMuseum, portrait, Less and More – The Design Ethos of Dieter Rams, Dieter Rams, Design Museum, Photo Luke Hayes.